Poor Things
Dialogue premix · Dialogue editor
Yorgos Lanthimos · Emma Stone · Willem Dafoe · Mark RuffaloEMMY® & PEABODY AWARD-WINNING · POST AUDIO
01 — THE WORK
Tristan Baylis is an Emmy® & Peabody Award-winning re-recording mixer, sound designer and audio creative director working across feature film, documentary, episodic and immersive audio.
02 — SELECTED WORK
Curated from 200+ credits
Dialogue premix · Dialogue editor
Yorgos Lanthimos · Emma Stone · Willem Dafoe · Mark RuffaloSupervising sound editor · Re-recording mixer
Matthew Heineman · Jon Batiste · Suleika JaouadDialogue premix · Dialogue edit · ADR supervisor
Trey Edward Shults · Sterling K. Brown · Taylor RussellRe-recording mixer · Supervising sound editor
Matthew Hamachek · Erica Sashin · Geno Auriemma · Sue Bird · Diana TaurasiRe-recording mixer · Supervising sound editor
John Early · Kate Berlant · Vanessa Bayer · Chris BauerSupervising sound editor · Re-recording mixer
Brandon Kramer · Darren Aronofsky · Liat Beinin AtziliRe-recording mixer · Supervising sound editor
Tolga Karaçelik · Steve Buscemi · John Magaro · Britt LowerSupervising sound editor · Re-recording mixer
Nadia Conners · Pedro Pascal · Walton Goggins · Elizabeth ReaserRe-recording mixer
Nick August-Perna · Anna Stubblefield · Derrick JohnsonSupervising sound editor · Sound designer · Re-recording mixer
Matthew Heineman · Emmy-nominated soundSupervising sound editor · Re-recording mixer
Tim Blake Nelson · Amanda Seyfried · Scoot McNairy · Wunmi MosakuRe-recording mixer · Supervising sound editor
Matthew Hamachek · Tom Brady · Bill Belichick · Robert KraftALSO
15 selected credits
Selected credits · distribution shown where identified
03 — VOICES
From directors, producers & collaborators
04 — PHILOSOPHY
Sound is often most powerful before you notice it.
A shift in perspective. A room that suddenly feels too quiet. A voice that sits differently in the space. A detail that changes the way we read a character.
Tristan looks for those moments — the places where sound can alter the emotional temperature of a scene without calling attention to itself.
Sometimes the work is about adding detail. Sometimes it is about restraint. Often, it is simply about knowing what matters.
Less noise. More intention.
05 — WHAT I DO
From pre-production through final mix
The final balance. Every element considered. Every choice in service of the story.
From pre-production through final mix, shaping the sonic direction and keeping the creative intent at the center.
Creating worlds through detail, texture, rhythm, and bold creative choices.
Making every performance feel present, natural, and intentional.
06 — HONORS
07 — CONTACT
NYC · Available worldwide
AVAILABLE FOR SELECT PROJECTS · 2027/28